All posts tagged MKII

  • Stop Motion, Stop

    I’ve been itching to try some stop motion lately and luckily found a project that seemed suited to the technique. Here is a TVC I created for a women’s health fair event (sidenote: TVC is industry-speak for “television commercial”). The challenge was to visually show a connection between “health, fitness, and fashion.” Shooting stop motion allowed for some creative transitions that helped tie the three themes together. Notice there are no cuts in this spot.

    And now some technical details.
    We shot this on a blue paper backdrop. It was lit with a couple of kino four-banks from the front. I went with hot lights instead of strobes to eliminate any potential flickering due to variation in strobe output. Don’t get me wrong, I love AlienBees, but they are not as consistent as, say, Profoto. Plus, shooting with constant light meant I could shoot at a higher fps without waiting for strobes to recycle.

    The spot was shot on a Canon 5DMkII in stills mode (not video). I cheated the stop motion where ever I could. Cheating meant having the model move in slow motion and varying the shutter interval manually. It probably averaged somewhere around 4 fps. Other setups required the standard (and tedious) method of positioning the frame, snapping a picture…reposition…snap…repeat ad naseum. Text was done in After Effects using a combination of jitter settings in Path Text and Time Posterization.

    I’ve mentioned it before and I’ll say it again. Filmmaking is one long string of creative problem solving. A great example of this is the “toiletry mobile” constructed from a mountain bike wheel and fishing line (see picture below). This little gem allowed the toiletries to easily orbit the model’s head. Big thanks to Casey our fearless model, Anna with make up and hair, Amy the apple eater, and Lyn production manager extraordinaire. Also thanks to InHouse Marketing for all their help with production logistics.

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  • Cable Cam Proto

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    Spent most of the afternoon working on this diy cable cam. The “pulleys” are sealed-bearing scooter wheels I picked up from a local bike shop. Please chime in if you have any design suggestions. I’m just winging it right now. Once I get the kinks worked out, and some stronger cable, I hope to fly the Red on this thing. In the meantime, here’s a quick clip of the first spin with a sandbag.

  • Vancouver 2010

    A couple weeks ago, we decided to drive to Vancouver to take part in the Olympic festivities. The 5D mkII went with us and I ended up shooting enough video to throw together a quick edit. I do love the portability of this little camera. Almost as much as I love the Winter Olympics.

  • Stella’s Day

    We have a rad dog named Stella. She’s a unique little creature. Here’s a little flick Lyn and I created to show a typical day in Stella’s life. This was shot entirely on the Canon 5DMKII. It’s a good proof-of-concept to show that you don’t need a Red camera to create interesting visuals. You just need, well, interesting visuals. The small size and low weight of the MKII made it easy to get some of these hard to reach POV shots. Huge thanks to the talented Jef Gibbons for his musical contribution.

    Enjoy and Merry Christmas to all.

  • Skate ‘N Strobe

    Here are a few spur-of-the-moment shots from the local skating rink. We threw this shoot together very last minute with the help of a Facebook casting call (don’t forget to follow via Facebook and Twitter!)

    I first tried setting up the light on a stand and had the skaters roll by as I shot. This yielded horrible results. I quickly realized that I needed to get the camera and light rolling along with the skaters, at a consistent distance, to get consistent focus and exposure. Well, it just so happens that I spent a good portion of the ’90s roller skating on a weekly basis. Yes, I was THAT kid. I skated in front of the subject and had an assistant (thank you Jeremy and Lyn) on wheels skate along side holding the flash (580ex, shoot-thru umbrella, triggered via PW). Shooting blind meant I shot a lot of frames and hoped to get some keepers. Doing a photo shoot on roller skates really got me wondering how much more efficient my life might be if I could wear roller skates all the time. Imagine how fast shopping at Costco would be with a pair of skates.

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  • DIY Canon MKII bungee body mount

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    Here’s a really simple way to rig your dSLR to your body for those high-action, POV-type shots (think skiing, biking, motocross, etc). No expensive helmet-cam rigging required.  All you need is a bungee cord.

    Check it:
    Most cameras come standard with a neck strap. You’ll need to make sure this is attached. Next, hang the camera from your neck. Good, now you look like a tourist. Chances are your camera is hanging somewhere near your stomach. You’ll probably want to shorten up the camera strap so that the camera hangs over your chest. Unless your tummy is sporting a six pack (I’ve got a six pack IN my tummy), you’ll find it much easier to wear the camera higher so it’s pushing against your chest rather than gut. To accomplish this, I had to shorten my camera strap by tying a knot in it. Your mileage may vary.

    Next, attach the bungee cord, hook facing out, to one side of the strap near the body of the camera. Wrap the bungee around your back and hook it to the other side of the camera strap. Done. That’s it. If the bungee is the right size, you should feel the pull of the bungee holding the camera tight against your body. Notice as you move, the camera moves with your body. Now your hands are free to hang on to the handle bars, ski poles, or dog sled(?)

    A couple things to note:
    * You should be ‘slightly’ uncomfortable. In order to hold the camera tight against your body, you’ve got to get the bungee cord relatively tight. If your torso goes numb and you can’t feel your legs, it’s too tight. 
    * Try to find a bungee cord with plastic hooks. Plastic is less likely to scratch your camera and less likely to poke you in the sides. Do not attempt this mount if you are ticklish.
    * This method holds the camera tight for most lateral forces, but the camera is still free to bounce a little up and down. For jarring activities like running or pogo sticks you might want to add a vertical strap as well. Let me know if you find something that works.

    Here’s a clip of me on my trusty lil’ Suzuki 450GS. This was shot with a Canon MKII and a 17-40mm f/4. The POV riding shots were accomplished with the bungee-mount method.